Robot Stories |
USA • 2003 • 85m •
  • Directed by: Greg Pak. • Starring: Tamlyn Tomita, James Saito, Vin Knight, Gina Quintos, Karen Tsen Lee, Glenn Kubota, Norma Fire, T. Lynn Eanes, Joshua Spafford, Catherine Carota, Wai Ching Ho, Cindy Cheung, Louis Ozawa Changchien. • Music by: Rick Knutsen.    Four stories in which utterly human characters struggle to connect in a world of robot babies and android office workers. The stories include: "My Robot Baby," in which a couple must care for a robot baby before adopting a human child; "The Robot Fixer," in which a mother tries to connect with her dying son by completing his toy robot collection; "Machine Love," in which an office worker android learns that he, too, needs love; and "Clay," in which an old sculptor must choose between natural death and digital immortality.
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Review:
The movie got very controversial reviews. Some compared Robot Stories with other movies of the same kind to find out that everything that was to be said about robot stuff had already been said. Some others tried to consider the movie on its own merits. I think it should be considered also within the context of Greg Pak's creation, all his comics and very short movies (videos of less than 10 minutes, even less than 2 minutes): it is about the interactions between our universe and the universe of his comics.
Robots were created with the aim to help us: in our work, or in our moments of fatigue, when we need some kind of intelligent toys to play with. Only it happened that robots went further and created their own universe, sometimes controlled by us, sometimes with them in control, sometimes cooperating with us, sometimes competing. Contacts between our universe and theirs can be sometimes beneficial for both, while many times it is about collisions with unpredictable outcomes. On the other hand, in most cases the universe of robots offers a window for us, to look into it: what happens there, in their world, is the objective image of what we are.
If we consider now the four vignettes of the movie, we could say that the vision of Greg Pak about the matter is rather pessimistic. Babies are replaced by robots, communication between humans is possible only using robots, human sentiments are felt by robots only (and humans forgot about them), medicines cannot compete viruses any more while death sends human beings into the world of robots for ever. Is the picture too pessimistic? Well, let's put it this way: babies start being little savage robots till we learn how to communicate with them, communication between humans is ultimately possible, even if we need robots for that, and so on. Discussing this movie we can go either way. Plus think about that: the movie uses robots to describe our own world. Is it about them or about us? As I said, we can go either way.
The first vignette (My Robot Baby) is funny and witty. What are babies after all, other than little savage and absurd things you cannot communicate with? Anything you try, they keep on crying. And only when you don't know what to try anymore and get discouraged, they start understanding you. The communication channel is set when the little thing realizes you can be weak, too.
The second vignette (The Robot Fixer) is a little gem. Mother and daughter come at the bed of their son and brother: he lies in a coma, brain-dead, and the only decision to take is when to unplug him. The daughter realizes it very well, while the mother is thinking how to connect with the son in his last days. A set of little robot toys discovered in his little condo shows her that she knew the son very little. And the mother starts to learn about robots, to play with them, to fix the toys, to be at least now in synch with the boy. Is it too late? Is it useless? Maybe any human attempt is useless or it comes to late, but it doesn't matter. It has to be done.
The third vignette (Machine Love) is funny, but rather weak, in my opinion. An android worker (nicely played by Greg Pak) is surrounded at office by humans devoid of any warmth, while he discovers, step by step, the miracle of love. I saw better ones, even between robots. The standard was probably set by Data, what do you think? As for the last vignette (Clay), it has a great subject, maybe difficult to be grasped. To continue your life for ever, frozen in a hologram, or to accept the dignity of your never more? Well, when you tackle with a great subject, you should have a moment of genius, to say there the ultimate truth. I think the moment of genius came for Greg Pak in the second vignette. But all in all, you shouldn't miss these four Robot Stories. They are uneven, that is true, but Greg Pak is a very cool creator.
Review by Pierre Radulescu from the Internet Movie Database.
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