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USA • 1953 • 71m •
  • Directed by: Ford Beebe, Saul A. Goodkind. • Starring: Buster Crabbe, Constance Moore, Jackie Moran, Jack Mulhall, Anthony Warde, Philson Ahn, C. Montague Shaw, Guy Usher, William Gould, Henry Brandon, Kenne Duncan, Reed Howes, Wheeler Oakman..   Buck Rogers (1939) re-edited from serial to feature format and re-released for theatrical distribution in 1953; an American soldier suspended in time wakes up to find himself in the futuristic world of the year 2500. Once settled he realizes that an evil villain, along with his gang of outlaws, has been trying his best to gain total control the the universe and everything in it. Buck Rogers has other plans for these thoughtless henchmen and will do anything he in his power to stop them in their tracks.
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Review:
Supposedly, this is the prologue to the story of Killer Kane and his quest to rule the Earth. Cut to the condensed archival footage of the 'Buck Rogers' serial, with Buster Crabbe, Jackie Moran, Constance Moore, Anthony Warde and C. Montague Shaw. Not much derives from the original story or comic strip-- Buck (Buster Crabbe) and Buddy (Jackie Moran) go into suspended animation and wake up 500 years in the future, where they meet Lt. Wilma Deering (Constance Moore). That's it. Very quickly they take sides with Dr. Huer (C. Montague Shaw) and 'The Hidden City' in its war against the tyrant Killer Kane (Anthony Warde). For some reason, in order to win the war they need to form an alliance with the government of Saturn, so our trio of heroes wind up going there three times. The alliance is made; they storm Kane's city, and he is turned into a mindless robot. The continuity is pretty good in condensing the story, but as a result, in several scenes we see things going on in the background that are never explained since so much from too many chapters has been skipped.
Travel to the far future was a common trope in science fiction from H. G. Wells on, and the emphasis was usually on the contrast or differences between our time and that of the future. Here, in Buck's new 25th Century, we get anti gravity belts (from the original story), terrestrial spaceships that double as interstellar ones, a high speed tunnel car, a mind control device, and a funny triangular space gun. The best part for me was the great art deco sets of Killer Kane's city.
Killer Kane just doesn't make it as an evil tyrant, since about all he does is stand around berating his council members for their incompetence, except when he tries to put the Robot Battalion coffee pot on Buck Rogers (deleted from the feature versions). I had this same reaction when I watched the entire serial. Anthony Warde didn't have a menacing enough tone of voice, but had more of a high pitched yell. He was better in other serials where he was not the lead villain. The 1953 epilogue narrator warns us of the rise of any future Killer Kane (an obvious reference to Joseph Stalin of Russia), and facing the camera says, "God bless America!"
We get a lot of music from Max Steiner's great score for 'The Bride of Frankenstein' (1935), Buster Crabbe's winning personality and cheerful take charge attitude, and the great deco and recycled 'Flash Gordon' sets. It's too bad that neither this nor the original serial is very good. Unfortunately this squeezed down version moves so quickly and does so little that I can only give it a 3.
Review by Chance2000esl from the Internet Movie Database.
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