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Frankenstein and the Monster from Hell

Frankenstein and the Monster from Hell (1974) Movie Poster
  •  UK  •    •  99m  •    •  Directed by: Terence Fisher.  •  Starring: Peter Cushing, Shane Briant, Madeline Smith, David Prowse, John Stratton, Michael Ward, Elsie Wagstaff, Norman Mitchell, Clifford Mollison, Patrick Troughton, Philip Voss, Christopher Cunningham, Charles Lloyd Pack.  •  Music by: James Bernard.
        Simon Helder spends his nights piecing together body parts from cadavers for his research but is brought before a judge and sentenced to 5 years in an insane asylum where he is tortured by the orderlies. Little does Helder know but Baron Frankenstein has been hiding out in the asylum and when he discovers the young doctor he enlists him as an assistant to help in the tending of the medical needs of the other inmates but ultimately to help with the creation of a new monster he is bringing to life. The monster is a compilation of body parts taken from the dying inmates in the asylum, many of whom Frankenstein euthanizes for his purpose. Helder is uneasy with the Barons utilizing of the inmates to further his research and tells the Baron his feelings, but the Baron confides in Helder a secret that is the cause of his lovely young assistant Sarah a mute who is the daughter of the lecherous Asylum Director. As the experiments progress and the monster is created it becomes apparent that there is an incompatibility of body parts, driving the monster homicidally insane and aggressively vicious.

Trailers:

   Length:  Languages:  Subtitles:
 2:49
 
 

Review:

Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Image from: Frankenstein and the Monster from Hell (1974)
Hammer's last Frankenstein outing is one of their best; despite the great sadness that went in its production (inherent in the film's overall effect but thankfully not swamped by it), the film emerges as a pretty solid and well-crafted chiller with a remarkable Gothic flavor (all the more impressive for being made on such shoddy finances - the film allegedly carried one of the companies' lowest-ever budgets!).

Script and direction keep the action of the plot moving, despite the necessarily cramped settings. Peter Cushing and Terence Fisher's own personal state of minds create a poignant, almost elegiac ode to Gothic horror: this was to prove their final collaboration (indeed, it was Fisher's very last film). The camera-work, James Bernard's score and the production design all contribute to make this a true harking-back to the heyday of Hammer horror (in view of the fact that a lot of changes were effected during the early 70s with varying degrees of success); still, along with BLOOD FROM THE MUMMY'S TOMB (1971), DR. JEKYLL AND SISTER HYDE (1971), DEMONS OF THE MIND (1972) and CAPTAIN KRONOS - VAMPIRE HUNTER (1974), this is one of the last great Hammer films.

The Baron had evolved a great deal during his sixteen-year period at Hammer (producing seven films in all, only one of which did not feature Peter Cushing and only two were not helmed by Terence Fisher), reaching its zenith perhaps in FRANKENSTEIN MUST BE DESTROYED (1969) where virtually no trace of humanity could be detected in the character! This final venture finds him more relaxed (or, perhaps, I should say resigned) but certainly no saner or less involved with his obsessive quest to achieve immortality!! The rest of the cast is equally admirable: Shane Briant, one of Hammer's bright young hopefuls, building upon his achievements in both DEMONS OF THE MIND and CAPTAIN KRONOS - VAMPIRE HUNTER; Madeleine Smith graces the screen with her presence, managing to give her character (an abused mute inmate) an inner strength and compassion that would normally be difficult to communicate without words; Dave Prowse's monster is a memorably designed hulk (somewhat overdone in the style of Fredric March's Hyde persona in the 1931 version of DR. JEKYLL AND MR. HYDE) but who unreservedly elicits the audience's sympathy because, saddled with numerous body parts that do not belong to him, he is forced to go on living when his sole desire (possessing an ugly interior as well as exterior) was to end it all!; a few supporting characters are allowed to shine as well, notably Patrick Troughton, John Stratton and Bernard Lee.

The DVD transfer is stunning, especially in widescreen. However, Paramount really dropped the ball by opting to release the edited U.S. version: I have to agree with those who condemned them for it, because the missing footage (the artery clamping scene chief among them - as it stands now, the dialogue follows on too hurriedly, making the cut extremely obvious; the scene was not particularly graphic, but it certainly amplified the Baron's character and his dedication to his work) is certainly important and, if anything, helps keep the film's pace balanced as the 'stitching' together of scenes {sic} is awkwardly handled on more than one occasion (see also Bernard Lee's funeral, where Cushing suddenly appears beside the coffin when it is dropped to the ground); similarly, the climax is marred by the loss of footage where the inmates tear the monster apart (on the DVD it would seem that the monster was entirely made up of bits and pieces of flesh, so easily is he dismembered, when we know full well this isn't so!); interestingly, however, though all these bits of added gore are to be found on my murky full-screen VHS, one shot from the DVD is not in fact present - the slashed throat of the John Stratton character!

The Audio Commentary is an immensely enjoyable and lively talk: though the subject matter wanders alarmingly, the relationship between the three participants is so genuine that one cannot help but be drawn into their reminiscences, opinions and idle chatter; indeed, I'd go so far as to say that it's perhaps the best Commentary on a Hammer DVD I've heard!


Review by MARIO GAUCI from the Internet Movie Database.

 

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